Jeff Wall

Author

Thierry de Duve, Thierry de Duve

Thierry de Duve (Survey) has written extensively on modern and contemporary art, with an emphasis on the work of Marcel Duchamp and its legacy. A regular contributor to the journal October, he is Editor of The Definitively Unfinished Marcel Duchamp (MIT Press, 1991) and the author of Kant after Duchamp (MIT Press, 1995). He has taught in the US and France and lives and works between Belgium and France.

Arielle Pelenc (Interview) is an art critic and curator who lives and works in France. She has written for Artefactum, Art Press, Parkett and Arts Magazine.

Boris Groys (Focus) was born in East Berlin and studied at Leningrad University. He emigrated to the former West Germany in 1981 where he works as a freelance author and critic. He has held senior academic posts at universities in Germany, Russia and the US. He has been a contributor to Art in America; his books include The Total Art of Stalinism: Avant-garde, Aesthetic Dictatorship and Beyond (Princeton, 1992).

Jean-Fran ois Chevrier (Update) is Professor of Contemporary Art History at the Ecole des Beaux-Arts, Paris. He has curated numerous exhibitions including: 'Another Objectivity' (with James Lingwood), Paris and tour (1989); 'Photokunst', Stuttgart (1989); 'Walker Evans and Dan Graham', Rotterdam and tour (1992-1994); and 'Oyvind Fahlstrom', Barcelona (2001). He was also Curatorial Consultant for Documenta X in 1997.

For his Artist's Choice, Jeff Wall selected an extract from the Pensees (1658) of Blaise Pascal, the seventeenth century French philosopher, mathematician and physicist; and an extract from 'Troubles of a Householder' (1919) by Franz Kafka (1883-1924), the early twentieth-century German novelist, born in Prague, whose novels - published posthumously - include The Trial (1925) and The Castle (1926).

Jeff Wall lives and works in Vancouver, where he is a Professor at the University of British Columbia. His writings, published in a number of journals and exhibition catalogues, explore socio-political and psychological meaning within modern pictorial media and avant-garde strategies.

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