Snake in the Grass
Trade Paperback
He tried to help a woman in need - but she's the prime suspect in her husband's murder...
Classic crime from one of the greats of the Detection ClubCon Gardiner had no family; his work and his one-room flat filled most of his solitary existence, until one evening a strange girl in the street asked him to lend her a pound. Con was attracted to Caro Graves, and puzzled too; he couldn't see what would become of this girl who had just left her husband after a bitter quarrel, and who had nowhere to go. But he was soon to have more to worry about: Caro's husband was dead . . . and Caro was the main suspect. 'Anthony Gilbert's novels show the unsensational type of detective story at its best' Daily TelegraphBuy now!
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- ISBN: 9781471910029
- Author: Anthony Gilbert
- Pub date: 14.03.14
- RRP: $80.00
- Format: Paperback / softback
Author
Anthony Gilbert
Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time. She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint. The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.
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